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Disclaimer: Unlike most film reviews that have comparison shots of the same subject, taken under different settings and exposure values, this review will feature a set of photos that show the film's ...
In this section of the Hasselblad V-system master guide, I'll be taking a look at the first two generations of Hasselblad lenses. If you're looking for lenses for your Hasselblad 500, 500CM 501 or 305 ...
The Hasselblad V-System Master Guide is a hub of in-depth articles and reviews intended to be an exhaustive resource for real, user-verified data on this classic film camera system.
I'm here today to provide you with my review / comparative overview of the Mamiya Press Super 23 and the Mamiya Universal Press cameras.
Over the past few years, more people than I can count have asked me what “the best” film, film cameras, lenses, accessories and all manner of other weird and wonderful things to do with film ...
The cost of manual-focus 35mm equipment increases to rise and Nikon gear is leading the pack.
When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and RTS cameras, the AX ...
I kicked off the previous article in this series by stating that in its V-System, Hasselblad created one of, if not the world's most comprehensive and flexible medium format camera system.
The Pentacon Six TL is a phenomenon of a camera. When I first got mine, I almost fell in love with it, because I liked the idea of shooting 6x6 and was fascinated by the bulky yet somehow elegant ...
In 1993, Mamiya released the Mamiya 645 Pro, the camera pictured above and the subject of this review. This camera was produced until 1998. A variant of this camera, the 645 Pro TL, was manufactured ...
Welcome back to part three of this guide. We’ve already covered a deep overview of the Mamiya RZ67 Professional system as well as a look at the system’s film holder options. For part three, I’ll be ...
It's time to simplify and demystify the dark art of connecting legacy film scanners and other hardware to modern computers.