Martin Scorsese has spent his career championing original cinematic storytelling, but there was one wildly successful show that he just couldn't get behind.

The second part features Scorsese in a salon-style discussion with Jesuit Father James Martin, poet Mary Karr, and writer Paul Elie, reflecting on the lessons to be drawn from the biographies.

Video games started blooming for the masses, rock and disco music was all the rage, with some of the best artists of all time ...

Al Pacino earned a massive $20M paycheck for Martin Scorsese’s The Irishman, which contributed to the film's $225M production ...

Romano explained why prepping to star in Scorsese's "The Irishman" and "Vinyl" were things he wasn't capable of when he ...

Romano, who played a lawyer in Martin Scorsese’s “The Irishman ... his role in “The Irishman” was based on a real-life mob attorney. Going through that process for a real person with ...

While director Martin Scorsese had told her she could wear a ... "I'd sit at video village, and he would tell stories about the Mafia and old film stars, but he didn't actually give direction ...

While director Martin Scorsese had told her she could wear a ... "I'd sit at video village, and he would tell stories about the Mafia and old film stars, but he didn't actually give direction ...

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Few directors are as synonymous with a single genre as Martin Scorsese is with gangster films ... music documentaries—he will forever be associated with the world of the Mob and its intricacies, ...

With his new, high-profile Disney+ rock documentary, the great filmmaker Martin Scorsese has done something few would have believed possible: he has made the Beatles boring. There is a prescient ...

Produced by Martin Scorsese, David Tedeschi’s film threads contemporary interviews and historical context through rare footage shot by the Maysles brothers.