Aspiring to make music independently, however, Teriaeva turned her attention to adopting Buchla synthesisers as a framework for her sound alongside acoustic instrumentation and voice, releasing her ...

Basslastige Dub-Musik, installative Improvisationsmusik und tanzbare Elektro-Beats sind bei „Behind (A) Bridge“ am Samstag, 24. August, von 16 bis 24 Uhr in Ruhrort auf der Mühlenweide ...

Denn es geht um improvisierte Musik, gleich sechs Vertreter dieses Genres stehen auf der Bühne: Ale Hop (Gitarre, Electronics), Mariá Portugal (Schlagzeug), Liz Allbee (Trompete, Electronics), DJ ...

The pumping heartbeat of the score comes from a Buchla 200e modular synthesizer from the ‘60s, also a little primeval compared to the synths that have come after it.

Where Holkenborg uses instruments without distortion in this prequel, they’re duduks and didgeridoos, ancient and earthy in character. The pumping heartbeat of the score comes from a Buchla 200e ...

The centrepiece of the new studio is a Buchla 200e synthesizer, designed by the late Don Buchla. A UL representative noted that Buchla’s influence on the development of electronic music was ...

The centrepiece of the new studio is a newly commissioned Buchla 200e, an instrument that is rooted in the history of modular synthesis and regarded as one of the most ambitious of its kind.

It’s more about what you put in it: Breath, intent, spirit, and vision. Later that night across town, Suzanne Ciani would be pushing the limits of an instrument that she basically put on the map, the ...

Buchla said she has been concentrating on the squatting and bench press records records for a hile. She has the numbers 820 and 530 written on the back of her phone, the windshield of her car and ...

She made the Buchla speak in bizarre tongues, with a sorcerer's incomparable instincts. Suzanne Ciani showing off her Buchla 200e synthesizer. Lisa Hagen Glynn Photography ...